Frederic Chrislip’s main interests have always been music and language, in nearly equal measure. A classically trained tenor, he now focuses on self-accompanied singing to the lute, which most lutenists in Elizabethan and Jacobean England did. Accompanying himself allows a greater unity and spontaneity to the expression and pacing of the music than two performers can achieve. Prominent early music performers say that he has a rare ability to sing and accompany himself on the lute. Praise from a co-director of an early music festival: “I was struck by your beautiful, elegant performance.”
Biography
Frederic Chrislip was born and raised in Oklahoma. He was awarded a National Merit Scholarship and graduated from the School of Music at Northwestern University in Evanston, Illinois. At the beginning of his sophomore year, he joined the Chicago Symphony Chorus, where he received some of his most valuable training and filled his ear with the highest levels of music performance. When the orchestra and chorus prepared the Bach St. Matthew Passion, Sir Georg Solti chose Chrislip from the chorus for the small solo role of False Witness. (Is he the only person who both sang and played solos under Solti with the Chicago Symphony?)
Chrislip left the Chicago Symphony Chorus after seven seasons and almost immediately began an eleven-year relationship as first-call guitarist for the Chicago Symphony Orchestra, which continued even though he soon moved to New York to advance his recital career. Around this time, he performed some sixty solo recitals in twenty states, singing classical repertoire while accompanying himself on guitar. He also participated in four recordings with the Chicago Symphony under Sir Georg Solti, James Levine, and Claudio Abbado.
He has had many opportunities to play Mahler’s Symphony No. 7: on guitar with the New York Philharmonic and the symphonies of Chicago and Pittsburgh; and on mandolin with Rochester, Syracuse, Cleveland, and Boston, including a recording under Seiji Ozawa. He has played mandolin and saw for George Crumb’s Ancient Voices of Children with the New York Philharmonic and the Chicago Symphony, both under Zubin Mehta. He has played at Carnegie Hall as an extra player with the orchestras of Philadelphia, Chicago, Cleveland, and Pittsburgh. Other orchestras with which he has played include Brooklyn, Minnesota, Phoenix, Seattle, St. Louis, and the Santa Fe Opera. He has played in master classes under Christopher Parkening, Alice Artzt, and John Duarte.
In 1995 Chrislip was selected as an artist fellow for the Bach Aria Festival and Institute, singing arias from Bach cantatas. He has also studied singing in two seasons at Tanglewood and in master classes at the Scotia Festival, Westminster Choir College, and Oberlin College under John McCollum, Martin Katz, Dalton Baldwin, and Richard Miller. He now performs solo songs accompanying himself on the lute in recital and at early music festivals, where he receives coaching from top figures in the early music world.
Recent solo performances
Earlville Opera House, Earlville, New York, 2024
Classical Guitar Society of Upstate New York
“Unique Ric Chrislip opened the program’s 2nd half with a collection of mesmerizing early music for lute and voice - proving himself adept as both a lutenist and vocalist.”
Union College, Schenectady, 2020
Classical Guitar Society of Upstate New York
Saint James Lake Delaware, 2015, 2016, 2019
Windfall Dutch Barn, Cherry Valley, New York, 2019
Hartwick College showcase recital (voice, lute, and guitar), November 2016
Title | Instruments |
Three Poems from Love’s Labour’s Lost (1978, words by Shakespeare) 1. The King’s Poem pdf 2. Longaville’s Sonnet (Galliard) pdf 3. Dumaine’s Poem pdf |
Voice and Lute |
Composer | Work | Instrument | Orchestra | Conductor | Comment |
Amy | D’un Espace Déployé | Guitar | Chicago Symphony | Solti & Amy | |
Arnold | Serenade/Guitar & Strings | Guitar | Beloit-Janesville | C. Gates | soloist |
Bach | St. John Passion | Lute | Springfield Symphony | Walker | |
Berg | Lulu | Banjo | Santa Fe Opera | Mauceri | |
Cavalli | L’Egisto | Guitar | Santa Fe Opera | Leppard | |
Cavalli | L’Ormindo | Lute | Caramoor Festival | Rudel | |
Crumb | Ancient Voices of Children | Mandolin & Saw Mandolin & Saw |
Chicago Symphony New York Philharmonic |
Mehta Mehta |
|
Del Tredici | Final Alice | Tenor Banjo Tenor Banjo Tenor Banjo Tenor Banjo |
Chicago Symphony Minnesota Orchestra Philadelphia Orchestra St. Louis Symphony |
Solti Slatkin Ormandy Slatkin |
recording Carnegie Hall |
Foss | Percussion Concerto | Guitar | New Jersey Symphony | Jesse Levine | |
Gershwin | Rhapsody in Blue | Tenor Banjo | New Haven Symphony | Jung-Ho Pak | |
Henze | Arien des Orpheus | Guitar | Chicago Symphony | Henze | |
Hovhaness | The Way of Jesus | Guitar | American Symphony | Halasz | |
Lehar | The Merry Widow | Mandolin | Santa Fe Opera | Crosby | |
Mahler | Das Lied von der Erde | Mandolin Mandolin Mandolin |
Brooklyn Philharmonia Rochester Philharmonic Syracuse Symphony |
Foss Elder Hege |
|
Mahler | Symphony No. 7 | Mandolin Mandolin Mandolin Guitar Guitar Guitar Guitar Mandolin Guitar Guitar Guitar Mandolin Mandolin |
Boston Symphony Boston Symphony Boston Symphony Chautauqua Symphony Chicago Symphony Chicago Symphony Chicago Symphony Cleveland Orchestra New York Philharmonic Pittsburgh Symphony Pittsburgh Symphony Rochester Philharmonic Syracuse Symphony |
Haitink Ozawa Rattle Segal Abbado Conlon James Levine Welser-Möst Kubelik Jansons Maazel Zinman Hege |
recording recording recording Carnegie Hall Carnegie Hall European tour |
Massenet | Don Quichotte | Guitar | Lyric Opera of Chicago | Fournet | |
Mozart | Don Giovanni | Mandolin | Grant Park Symphony | Hoffman | |
Paganini | Sonata per la Gran Viola | Guitar | Syracuse Symphony | Akiyama | |
Paganini | Trio in D | Guitar | Chicago Symphony members | ||
Respighi | Roman Festivals | Mandolin Mandolin Mandolin |
Binghamton Symphony Rochester Philharmonic Syracuse Symphony |
Covelli Varga Hege |
|
Rossini | The Barber of Seville | Guitar | Lake Forest Symphony | Aitay | |
Schnittke | Pianissimo | Guitar | Chicago Symphony | Foss | |
Schoenberg | Moses und Aron | Guitar (I & II) | Chicago Symphony | Solti | recording |
Schoenberg | Variations for Orchestra | Mandolin | New York Philharmonic | Mehta | |
Shore | Lord of the Rings Symphony | Nylon-string guitar, 6-string guitar, & mandolin 12-string guitar Nylon-string guitar, 6-string guitar, & mandolin |
Phoenix Symphony Pittsburgh Symphony Seattle Symphony |
Mickelthwaite Shore & Mauceri Shore |
|
Stravinsky | Le Rossignol | Mandolin | Santa Fe Opera | Baustian | |
Takemitsu | Stanza I | Guitar | Brooklyn Philharmonia | Foss | |
Verdi | Falstaff | Guitar | Chicago Symphony | Solti | Carnegie Hall |
Vivaldi | Concerto in D | Guitar | Beloit-Jamesville | C. Gates | soloist |
Webem | Five Pieces, Opus 10 | Guitar Guitar |
Chicago Symphony Chicago Symphony |
Abbado Giulini |
|
Weill | Little Threepenny Music | Banjo & Guitar | Chicago Symphony | Leinsdorf | |
Member in good standing of the American Federation of Musicians, Local 802 (New York City), and Life Member of Local 10-208 (Chicago). Life member of the Lute Society of America. |